Illuminations by Samantha Rose Hill

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The Artist in Isolation
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The Artist in Isolation

A conversation

Samantha Rose Hill
May 11
5
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The Artist in Isolation
samantharosehill.substack.com

Dear Reader,

Please join me, Paul Holdengräber and Madeleine Thien for a conversation about The Artist in Isolation at the Pulitzer Museum on Thursday, May 12, 2022 at 6pm Central Time.

The conversation is part of the Assembly Required exhibit inspired by Hannah Arendt.

RSVP: here

Yours,

Sam

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Hannah Arendt on Isolation in The Origins of Totalitarianism:

What we call isolation in the political sphere, is called loneliness in the sphere of social intercourse. Isolation and loneliness are not the same. I can be isolated—that is in a situation in which I cannot act, because there is nobody who will act with me—without being lonely; and I can be lonely—that is in a situation in which I as a person feel myself deserted by all human companionship—without being isolated. Isolation is that impasse into which men are driven when the political sphere of their lives, where they act together in the pursuit of a common concern, is destroyed. Yet isolation, though destructive of power and the capacity for action, not only leaves intact but is required for all so-called productive activities of men. Man insofar as he is homo jaber tends to isolate himself with his work, that is to leave temporarily the realm of politics. Fabrication (poiesis, the making of things), as distinguished from action (praxis) on one hand and sheer labor on the other, is always performed in a certain isolation from common concerns, no matter whether the result is a piece of craftsmanship or of art. In isolation, man remains in contact with the world as the human artifice; only when the most elementary form of human creativity, which is the capacity to add something of one’s own to the common world, is destroyed, isolation becomes altogether unbearable. This can happen in a world whose chief values are dictated by labor, that is where all human activities have been transformed into laboring. Under such conditions, only the sheer effort of labor which is the effort to keep alive is left and the relationship with the world as a human artifice is broken. Isolated man who lost his place in the political realm of action is deserted by the world of things as well, if he is no longer recognized as homo jaber but treated as an animal laborans whose necessary “metabolism with nature” is of concern to no one. Isolation then becomes loneliness. Tyranny based on isolation generally leaves the productive capacities of man intact; a tyranny over “laborers,” however, as for instance the rule over slaves in antiquity, would automatically be a rule over lonely, not only isolated, men and tend to be totalitarian.

While isolation concerns only the political realm of life, loneliness concerns human life as a whole. Totalitarian government, like all tyrannies, certainly could not exist without destroying the public realm of life, that is, without destroying, by isolating men, their political capacities. But totalitarian domination as a form of government is new in that it is not content with this isolation and destroys private life as well. It bases itself on loneliness, on the experience of not belonging to the world at all, which is among the most radical and desperate experiences of man.

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The Artist in Isolation
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